David George flips the mic and interviews your host, Tanya Musgrave, on producing, podcasting, and what happened to There to Here.
#36 Filming a Crisis | Tim Wolfer
This week, Tim Wolfer, humanitarian filmmaker, shares his secrets of capturing compelling stories in the midst of chaos. In this episode he talks with Tanya about how he sneaks into foreign countries, ethics as a filmmaker, and capturing the insurrection at the Capitol on January 6.
#35 How To Become A Filmtrepreneur | Alex Ferrari of Indie Film Hustle
This week Alex Ferrari, founder of Indie Film Hustle, shares the new realities of what it takes to get your independent film made in today’s digital world.
#34 Airborne Cinematography for Deadliest Catch | David Alan Arnold
In this week’s episode David shares how he got started as a helicopter camera op, and the crazy stories that come with the territory…from death spins and crash landing near hungry grizzlies, to the Cubs winning the World Series and running out of fuel over the Bering Sea.
#33 Not All Corporate Gigs Suck | Blaise Douros
Blaise Douros has a corporate gig as an in-house video producer for KUIU, and his job is amazing. He gets to film in helicopters, tell great stories, and travel to some of the most remote areas in the US.
Listen to Blaise share the upside of working at a corporate gig that doesn’t suck.
#32 Star Wars and Micro Budget Films | Eric Jewett
After working on films like Star Wars and Basic Instinct, Eric Jewett put Hollywood in his rear view mirror.
#31 Shoot Your Shot | Julio Zepeda
Julio Zepeda, Camera Assistant, shares how asking for help enabled him to go from PA to camera assistant.
#30 Skipping Film School | Mike Wilds
Mike Wilds shares how he got started in the industry without going to film school. He recently launched his own production company and is working with brands like The LA Rams, Bose and K-Swiss.
#29 Never Apologize For Excellence | Dan Brown Jr.
Dan Brown Jr., a 5x Emmy Award-Winning composer, shares why expecting excellence from your team will help you create a commercially successful product.
#28 Keeping the Tension | Arthur Anderson
Without tension in your story, your audience will doom scroll while your film plays in the background.
Arthur Anderson – Second Unit Director and Producer for Mission Impossible, Paycheck, and Windtalkers – shares how the films he’s worked on carry tension from the opening scene to the credits.