Leaving the comfort and security of a corporate gig to become your own boss can be frightening. This week we […]
#67 Becoming a Freelance Producer | Bryan Fellows
When starting as a freelance producer, you will make mistakes, and it’s okay. Bryan Fellows, a freelance producer for Nascar, Nat Geo, and Disney+, shares how he overcame his mistakes from starting out as a freelance producer.
#60 Blending Commercial Work and Narrative Filmmaking
It can be tough finding time to work on passion projects after spending a day working on a commercial project.
In this episode, Alysse Campbell, Manager of Orginal Content for Myriad Video, shares how they balance commercial work with narrative filmmaking.
#58 Working with an International Crew | Sydney Tooley Part 3
Sydney Tooley joins us for part 3 of her journey into making her first feature film.
#57 First Feature Film | Panel Discussion
It can be hard balancing school and shooting your first feature film as a student filmmaker. Watch to learn how these former students made their first feature film.
#53 Navigating Distribution | Aj Martinson
Aj Martinson, Producer/Director, shares how he got his first indie film distributed. Watch to get tips on how to find distribution.
#52 Producing a Micro Budget Film | Geoff Quan
Geoff Quan, Original Independent Films at Netflix, shares why you shouldn’t budget for distribution and instead focus on making a high quality film.
#49 Pulling Back Curtain on Commercial Filmmaking | David Mancao
David Mancao producer for Sasha Group, shares how you can break into ad agency work, no matter where you live.
#35 How To Become A Filmtrepreneur | Alex Ferrari of Indie Film Hustle
This week Alex Ferrari, founder of Indie Film Hustle, shares the new realities of what it takes to get your independent film made in today’s digital world.
#33 Not All Corporate Gigs Suck | Blaise Douros
Blaise Douros has a corporate gig as an in-house video producer for KUIU, and his job is amazing. He gets to film in helicopters, tell great stories, and travel to some of the most remote areas in the US.
Listen to Blaise share the upside of working at a corporate gig that doesn’t suck.